It sounds like the lineup for an eclectic all-star music festival: Jay Z, Katy Perry, Jon Bon Jovi, the National, Steve Aoki. And it is, almost, though the musicians will be spread across political swing states in the coming days, volunteering their services in support of Hillary Clinton.
The performance series, dubbed “Love Trumps Hate,” which will bring Jay Z (and “special guests”) to Cleveland on Friday and Ms. Perry to Philadelphia on Saturday, is just one of the Clinton campaign’s homestretch tactics for energizing voters that relies upon pop stars. Miley Cyrus canvassed with millennials at a Virginia university last week; the rapper Pusha T appeared in a campaign video with Mrs. Clinton’s running mate, Tim Kaine; and Cher recently hit the ground as a surrogate, as well.
Despite Mrs. Clinton’s predictable advantage in the generally left-leaning world of pop music — musicians publicly supporting Donald J. Trump include Wayne Newton and Ted Nugent — the involvement of A-listers was not always a foregone conclusion in a presidential election between two widely unpopular candidates. Whereas Barack Obama’s national campaigns involved the enthusiastic support of entertainers from the start, neither Mr. Trump nor Mrs. Clinton seemed at first to foster the same zeal among musicians.
As with President Obama’s upstart operation in 2008, many music-world figures put their initial approval behind the youth-driven Bernie Sanders and only later moved toward Mrs. Clinton. Even now, major stars, including Taylor Swift, Kanye West and Beyoncé, have not formally endorsed any candidate with only days to go, while other musicians have opted to align themselves only with nonpartisan get-out-the-vote efforts.
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“Politics can still be a dirty word,” said Andy Bernstein, the executive director for HeadCount, a nonprofit group that works with musicians to register voters at concerts. “You have two candidates who are very polarizing, and there’s certainly many, many people in this country who don’t have a positive view of either. That makes things interesting because musicians do not want to divide their fans.”
Scooter Braun, a manager for influential acts including Mr. West and Justin Bieber, has been outspoken about his support for Mrs. Clinton. But he acknowledged that some of his clients had opted not to use their platforms for risk of “alienating part of their fan base who disagrees with them.”
“It scares people,” Mr. Braun said. “Now, if you put your convictions out there, you have all different sides and points of view hitting you up on social media.”
But he called the idea that entertainers have a responsibility to enter the political fray — “It’s time for Taylor Swift to say something about Donald Trump,” read one recent headline — “absolutely ridiculous,” adding: “I think these individuals should speak if they have the facts. But what is the point of using your loudspeaker if you’re not passionate about what you’re speaking about?”
Some, Mr. Braun added, “don’t have a dog in the fight” — “Justin’s Canadian,” he noted of Mr. Bieber. “I don’t want to force anyone to take sides. If you don’t know, then there’s nothing to do but observe.”
The 30 Days, 30 Songs project, which advertises itself as being by “artists for a Trump-free America” and features music by R.E.M. and Death Cab for Cutie, has included no outward mention of Mrs. Clinton. The California rapper YG, whose song “FDT” has been perhaps the most impactful political anthem this cycle, has also kept his focus on Mr. Trump, while Bruce Springsteen, who performed at Obama rallies during the last two elections, has voiced his disapproval of the Republican candidate in interviews.
Ani DiFranco, the feminist folk singer, said that she is “way left of Hillary” and thus did not feel driven to endorse her. But she has been adamant about encouraging her fellow progressives to participate in some way. “Do not use Bernie as an excuse,” she said.
Ed Droste of Grizzly Bear, another Sanders supporter, came around only after the second presidential debate last month. “I love @berniesanders and will always,” he wrote on Instagram, “but you know what? I’m an adult and I see what’s happening right now and it’s frightening. #imwithher”
Other musicians found ways into the race via specific policy concerns.
“Artists don’t like speaking on issues that they don’t feel like experts on,” said Jesse Moore, the vice president for civic engagement for Rock the Vote, which is known for its celebrity representatives. “At the same time, most voters and most people in politics aren’t experts on everything. It’s about putting artists in a position where they can speak about their own life experiences.”
The rapper T.I. said that a musician’s influence was “best and most appropriately applied when it’s sincere.” Following the police killings of Philando Castile and Alton Sterling this summer, T.I. said he was motivated to begin speaking more about election issues affecting African-Americans, including prison and police reform.
“That touched something inside of me that urged me to get up and do something to inspire or promote change,” he said. “Not just in my music, but with my actions.”
NY Times
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